Marisa Abela plays the late Amy Winehouse in Sam Taylor-Johnson's “Back to Black,” a jukebox musical dramatization of her life. In her review, Associated Press Film Writer Lindsey Bahr writes that “Back to Black” as a movie is a tame and mediocre affair.
This image released by Focus Features shows Marisa Abela as Amy Winehouse in a scene from “Back to Black.” This image released by Focus Features shows Marisa Abela as Amy Winehouse in a scene from “Back to Black.” This image released by Focus Features shows Marisa Abela as Amy Winehouse in a scene from “Back to Black.” This image released by Focus Features shows Marisa Abela as Amy Winehouse, left, and Eddie Marsan as Mitch Winehouse, in a scene from “Back to Black.
“Amy” was also a movie that didn’t sit well with her grieving family. Her father, Mitch Winehouse, said it was misleading and contained “basic untruths.” After it won the Oscar,saying that it had no bearing on her life and was manipulative. Kapadia, he said, was more exploitative of his daughter than anyone.
There seems to be an excessive amount of rationalizing in the way everyone involved talks about “Back to Black,” over justifying its existence and its choices. But just because everyone keeps telling us that it’s a celebration doesn’t mean that we have to get on board. I’m not sure what is celebratory about dramatizing this tragedy, or helpful, or artful, or particularly revelatory about it either.
In some ways, this portrait of Amy Winehouse makes her immense talent the sideshow and her obsession/romance/heartache over Blake the defining story of her adult life. This is at least somewhat redeemed by the chemistry between Abela and O’Connell, who look far too glowing and healthy to be believable as heroin addicts.
Asif Kapadia Jack Oconnell Film Reviews E Lesley Manville Blake Fielder-Civil Entertainment Eating Disorders
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