Sam Taylor-Johnson’s film turns an iconic artist into a little girl lost.
It seems that a softer, more neatly packaged retelling of Winehouse’s life was desired by some. That explains the existence of Back to Black, a new fictionalized film from director Sam Taylor-Johnson . Written by Matt Greenhalgh and starring Marisa Abela, Back to Black was made under the auspices of its subject’s estate, often a troubling sign for a biopic like this.
The sexy and faintly ominous first meeting of Amy and Blake is staged at languid, seductive length. O’Connell is quite good at portraying the character as a ne’er-do-well with rakish appeal, his flecks of head-cocked menace an undeniable part of his draw. Abela’s performance is winning as its own creation, even if it fails in the larger project of manifesting Winehouse’s idiosyncratic humor and mettle.
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