Speaking to THR as a part of Netflix's Playlist series, composer Alexandre Desplat explains how he sought to keep the “innocence” and “vibrant heart” of the Pinocchio story alive through his score in Guillermo del Toro’s upcoming stop-motion film
The film, which was produced by Netflix Animation, the Jim Henson Co. and ShadowMachine, was a passion project of del Toro’s since 2008 and marks his animated feature film directorial debut, which he co-directed with Mark Gustafson. Del Toro also wrote the screenplay with Patrick McHale and Matthew Robbins.
Well, I’ve always tried to find some concept for [a film] that I’m working on. What can be different from this film to the previous and the next, and by combining instruments or sounds, you can create the sound of a film. [In], it was just a little instruments, these little tiny little things. And, I thought, you know, Geppetto is a woodworker. From the start, it’s about the trees, so let’s just challenge that and see how it goes and what comes up.
Well, Guillermo wrote most of the songs with me, because he’s the one who put the seed on almost all the songs about the emotion that we had to convey. And for the score, I think the first thing I played was the main theme, which is the opening the film. I played it on piano to him, and I think he was moved, and I felt, if Guillermo is moved, I must be in the right zone. So that’s where we started.
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