Horsegirl's 'Versions of Modern Performance' doesn’t just revive a certain sound; it revives the idea of mystery and tension in rock & roll. Our review.
picks up where “Billy” left off, running through the modern indie checklist in the process. Guitars where you can practically hear the picks scraping against the strings, unlike the processed-sounding instruments in modern pop? Check. Guttural bass lines that swoop up and down with counterpoint melodies? Done. Voices half-buried in a cavernous mix, singing elliptical lyrics or, in one case, name-checking Tom Verlaine and Patti Smith’s first album? Mission accomplished.
But in many ways, any similarities with Horsegirl’s peers end there. They aren’t just serious about providing CPR to an old genre; they’re just serious, period. There’s nothing cute or even borderline novelty about the thunderous “Dirtbag Transformation ,” with its suggestions of a broken family, or the equally uncompromising “Option 8,” with its creepy lines like “I’m on the run from the severed leg of my son.
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