This franchise deserved to end with more than a whimper (and not the pleasured kind).
In one bravura early scene, Mike, working as a bartender at a fancy Miami house party, gives the hostess, Maxandra “Max” Mendoza , a private lap dance that finds a new and raunchy use for seemingly every architectural element in her mansion. But after that we hardly see Tatum dance again until near the end of the movie, and then as only one brief part of a much larger onstage spectacle.
To do so they must recruit a team of talented male dancers from around the continent—cue a slickly edited audition montage full of eye-popping demonstrations of athleticism—and train them in the art of audience-pleasing sex-act simulation. Mike and Max also run up against a succession of too-easily-surmounted obstacles, including the disapproval of a prim city bureaucrat who’s looking for any excuse to shut down the theater.
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