REVIEW: Steven Soderbergh returns to the director’s chair for the third (and final?) installment in Channing Tatum’s stripper saga — this time set in London with Salma Hayek Pinault.
Thus it all starts with Mike on the heels of a business deal gone wrong, licking his wounds and starving for cash, and quickly ascends to the kind of stroke of good luck you couldn’t reasonably dream of. Isn’t this what Mike has always wanted — a serious creative venture of his own, a way of paying his debts and exercising his imaginative will ? Maybe so.
Mike and Maxandra pursue the dancer’s vision for their show, hunting down a crew of male dancers — breakdancers, mostly, but also a lithe Italian with clear modern dance training and a few guys whose main asset seems to be a plausible sense of rhythm and an approachable face — and dreaming up their show, which is far more of a male revue than the naughty-but-nice strip club affairs that dominated the last movie. That may prove a sore spot for some.
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