Wolf Like Me creator Abe Forsythe breaks down the Season 2 ending, that cliffhanger, working with a puppet in the finale, and more.
If you thought Season 1 of Wolf Like Me was a rollercoaster ride, it turns out that finale doesn't hold a candle to what goes down at the end of Season 2. Although the entirety of the season has been leading up to the moment when Mary finally goes into labor with the baby she and boyfriend Gary are expecting, there's more than one problem to deal with.
ABE FORSYTHE: Yeah, probably not. That's unintentionally just become a thing in this series, and no, they're not. The metaphor of the werewolf in Season 1 brought up a lot of things that people could relate to in different ways. The metaphor of the baby in Season 2 continued that in different ways, but I did also go beyond Season 2, of what I would want to see if we got that opportunity as well. I knew that it would be more interesting for a network to know that it could continue on, but it was also important for me that it would continue on in the right way.
That was the most interesting thing for me, and also weirdly why it's become more of a comedy in the second season than it was in the first; there's so much ridiculousness that comes with those interactions that it was just something that naturally presented itself. Which was great for all of us, too, because it just gave us so much more to play and work with, a lot more to tonally make sure we're landing in the same place as we did in Season 1.
FORSYTHE: That’s a puppet. Our prosthetic effects company that does all the effects for us, all the practical effects, designed that baby. It's a full animatronic puppet that was controlled by about five people on set and we just removed the wires from it. Mary as a werewolf is a mix of visual and practical effects, and that's just by virtue of the fact that you have to make that thing kind of move in an animalistic way.
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