Why GRAMMYs producer of the year nominee Finneas wants to make more than just 'the Billie sound'
. And then there’s his next big project: launching a publishing company. “When I started, I felt that there was this incredible amount of doubt of my ability as a producer,” he says, sipping something called a Mexi Mocha. “I know there’s some 17-year-old who is destroying out there, and I just want to help.”has been enormous. What did you expect ahead of the nominations?
People surrounding us were like, “You’ll probably be nominated.” But it was really stressful because I’m like, “Does this mean that if we’re not, people on our team are going to be disappointed?” The night before was like going to sleep on Christmas Eve. [I was] always like, “Listen, if we get nominated, it’s a big deal to me, and if we won, it would be a big deal.” I just want to be honest because some people act like they don’t care.
After years of working in relative isolation with Billie, how do you approach working with new artists? What I really didn’t want to do is work with other people and have them go, “Oh, Finneas just does that sound for everybody.” The Billie sound is only Billie — I’ll only do that for her. I love Camila, and the fun part was getting to make a Camila song. I don’t feel that anybody would know [that I produced it]. I mainly try to foster long-term collaborative relationships.
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