“I’m the first to admit that my favourite genre is extremely rich people in extremely rich houses being somewhat dastardly...”
Perhaps it’s simply the money that makes the show pop? I’m the first to admit that my favourite genre is extremely rich people in extremely rich houses being somewhat dastardly. Rich women with a lot of feelings are crack to me, as they navigate being both liberated and held captive by their money.
Perhaps it’s all the power? Rupert Friend is compartmentally hot – all the pieces are there for heat – but the temperature runs in the minuses. There’s simply nothing less sexy than a Tory MP, especially one who’s so particular about which women he treats with respect, and which ones he disdains. His sense of his own familial legacy is frankly revolting; the idea that family cannot fail, even at the expense of truth, perversely prevails. It’s hard to look away from his Machiavellian power plays.
Or perhaps it’s the show’s overt Britishness I can’t get enough of? The stately House of Commons canteen. The stiff upper lip-ness.is both a frothy and forensic look at dishonour, silly in is rather out-there anti-reality TV effects – Sienna falls through the courtroom like Alice down the rabbit hole; Friend is involved in a rather nasty hit-and-run with an invisible clown car.
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