Director, editor, and producer Yana Gorskaya also talks about the impressive improvisation and how she approaches each script.
Editor’s Note: The below contains spoilers for the Season 5 finale of What We Do in the Shadows.What a season it has been for our favorite Staten Island vampires! Season 5 of FX’s wonderfully absurd What We Do in the Shadows is not only as hilarious and sharp as ever , but deals with its biggest storyline yet.
GORSKAYA: I think he did. I think the potential loss of his family was a much bigger problem than he had imagined it to be, and he slowly came to terms with it over the course of the season, which was really beautiful. The writers did such an incredible job threading that growth and the thing you think you want.
GORSKAYA: We have these concept meetings where we talk about “How much blood?” and I'm like “A lot!” It has to be comedically big, and really, it is the gory spectacular thing of that episode. So, we did a bunch of tests just because we knew we would have limited shots at it because it was going to be so messy. We were like, “more blood,” [laughs] every time! And it needs to last for a really long time so that we can run it through a few times once it's going.
GORSKAYA: Definitely. Natasia is a really gifted physical performer, and I think this is the first season we really got to take advantage of that. It started with the doll, the Freaky Friday episode where she worked with the movement coach multiple times to figure out how a doll adjusting to a human [Laughs] like a ghost trapped in a doll body would adjust to being in a human body again. And just so many fun and floppy body bendy… that woman is crazy flexible.
When [Nadja] dealt with Helen Johnson, it was the most bizarre thing, but it was my favorite part. Where did that idea come from? Is there an improvised moment that happened when you were directing when you were like, “Oh, we have to keep this in”?
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