“I made a new life for myself from flowers,” marvels the green-thumbed Narvel Roth. “How unexpected is that?” To be fair, it’s about the only plausible thing that happens in Paul Schrader’s Venice …
), owner of Gracewood Gardens. Roth has a near-encyclopedic knowledge of gardening — as well may you by the end of it — but there’s something sinister bubbling away beneath that prim exterior.
Despite the massive age difference — caustically referenced by Mrs Haverhill, who thankfully says out loud what everyone is thinking — Roth develops feelings for Maya, and sets about trying to save her. Sadly, his attempts to do so alienate him from Mrs Haverhill, and the couple is kicked out of Gracewood when a very minor incident suddenly escalates.
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