Venice Hidden Gem: Kei Ishikawa’s ‘A Man’ Reflects on the Elusive Identity of Japan’s “Lost Generation”

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Venice Hidden Gem: Kei Ishikawa’s ‘A Man’ Reflects on the Elusive Identity of Japan’s “Lost Generation”
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The mystery drama, which is adapted from a novel by Japanese writer Keiichiro Hirano, tells the story of an introspective lawyer who is plunged into a web of mystery when he is asked to follow the trail of a deceased man who lived under a false identity.

“Shochiku came to me with the idea of making Hirano’s book into a film, so I read it and found that it’s a very pure sort of literary novel, but it’s also an engaging mystery,” says Ishikawa of‘s genesis. “It’s very intellectually interesting and encapsulates a lot of the problems that my generation is facing, but it brings a lot of entertainment as well, which quite surprised me. So, I felt that as someone of the same generation as Hirano, who understands these sentiments, I had to make it.

“We grew up during Japan’s declining economy years, but we were surrounded by adults who knew the glory years of Japan’s economic miracle and who were trying to carry on as if that time was still with us.

, which premiered in Horizons in 2017. Marquee handsome, the actor embodies a successful, happily married attorney who in many ways has a model life — but one who nonetheless finds elements of discord everywhere he turns, leaving him wondering what it might be like to step into a new life altogether, much like the man he is pursuing.Not to Be Reproduced

, which depicts a man standing in front of a mirror, but with a reflection that shows him from behind, rather than his face. The enigmatic image “encapsulates many of‘s ideas about the elusiveness of identity,” Ishikawa says.Shochiku, has lined up a sizable theatrical release for the film in Japan on Nov. 18. The Japanese studio also is handling sales on the title for Asian territories, while German outfit The Match Factory is selling rights for the rest of the globe.

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