ComingSoon Editor-in-Chief Tyler Treese spoke with Unstable co-creator and star Rob Lowe about the Netflix comedy series.
— their conceit is that the family’s lost the money [and] dad may be going to prison. You need a hook at the beginning of it to kind of ground it and to give it relatability. The notion of a family just about to come out of the trauma, of the loss of [a] wife [and] mother felt like a really good way to do it. I have to credit Victor Fresco, who is the co-creator along with John Owen and I. That was his idea, and it was a really good one.
I’ve always loved your comedic timing and delivery, and it’s in top form in Unstable. Does that come naturally to you? What is your process like when you’re trying to figure out the best way to deliver dialogue? It’s funny — it’s years of doing it so I don’t overthink it and I can trust my instinct and get out of my own way and let it happen. The minute you get involved in the thinking of it and the crafting of it, it dies. But it’s very hard to get to a place where you feel comfortable walking onto a set and just letting it all happen without any preconceived notion. If I think about how I’m going to say it, it’s deadly, so I have to stop myself from doing that. That just comes with time.
I love that your son, John Owen, does such a great performance in this show. You have to be so proud. But I was curious, when you’re working with him, are you able to separate being his dad and treating him just like any other actor? Or is it always kind of there? It goes back and forth and it’s super trippy. I’ll be working with him in a scene and I’ll be like, “Oh, that was mean. I wonder if he really means that. Oh, no, no, no. That’s the dialogue, that’s right. It’s just the dialogue.” Or we’ll finish a scene and then we’ll congregate with the director and talk about how we thought the take went and he’ll give his opinion and I’ll be like, “Yeah, that guy’s really smart. He’s so — wait a minute.
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