The virtual production stage at Warner Bros Studios Leavesden in London, which was used for HouseoftheDragon, is shutting down. “The virtual stage...will revert to a traditional soundstage in order to provide more flexibility to our clients” a WB rep says
and relied heavily on ILM’s system at Pinewood Studios in London for. VFX company Pixomondo’s Toronto-based LED stage has a longterm lease from CBS and has been used for series including seasons four and five of. And more recently, Prysm Stages, an NEP Virtual Studios company, opened its inaugural stage at Trilith Studios in Atlanta, with Francis Ford Coppola’sas its first production.
“A lot of people are walking in thinking they can just turn on the camera and shoot,” Holben says. “But if the light is not correct and the color balance isn’t set up properly … these things can look bad.” For early adopters, LED stages can help control the costs, schedules and complexities of production — compared with traveling to locations — while providing a sandbox for creative experimentation. But overuse of the technology can have drawbacks, and understanding how and when to apply it is critical.
To help forward the understanding and use of these techniques, Epic Games created what it calls its Unreal Fellowship, a 30-day course in virtual production that since its launch roughly two years ago has trained an estimated 2,000 professionals. Participants apply for a seat, and those who are accepted are paid $10,000 by Epic to complete the course. Epic’s training efforts also involved partnerships with the American Society of Cinematographers and Art Directors Guild.
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