The Scene That Terrified the Editor of ‘Everything Everywhere All at Once’

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The Scene That Terrified the Editor of ‘Everything Everywhere All at Once’
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Working on the genre-bending 'Everything Everywhere All at Once' meant that editor Paul Rogers had to jump from comedy to action to sci-fi to drama

Rogers also had to be sure that the jumps between universes didn’t disorient the viewers; to do that, the filmmakers leaned in to the tropes of different film genres, including use of music, aspect ratios, color correction and the editing style. “You could have the Lifetime movie genre of a marriage in trouble in one universe,” he notes, “and then you could have thetreatment in the other universe.

”In cutting the early part of the movie, he also had to set up the rules of the multiverse for the viewer to understand so that he could be increasingly bold in his editing choices, jumping to new universes sometimes for mere seconds. “There was a lot of groundwork that had to be laid,” says Rogers. “A lot of that groundwork was laid in the script, but we definitely spent a lot of time in the edit.

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