Set in the Batman universe, Vera Drew’s unauthorized trans “Joker” parody is a defiantly personal act of artistic subversion.
Hollywood’s superhero blockbuster business has grown creatively stale, but Vera Drew’s irreverent renegade opus “The People’s Joker” is just the antidote the genre desperately needs. Both a tough-love letter to the commodified IP it satirizes and a scathing takedown of mainstream comedy institutions, this defiantly personal low-budget marvel is also a genuinely affecting queer coming-of-age tale that packs a more poignant punch than most entries in the superpowered canon.
What’s a wannabe clown battling gender dysphoria, an addiction to the perma-grin-inducing antidepressant Smylex and lingering childhood trauma to do? Our Joker goes rogue, teaming up with the Penguin to start her own illegal “anti-comedy” troupe of misfit DC villains, among them the Riddler , Catwoman and a metamorphosing, nonbinary Poison Ivy . As she sparks up a bad romance with edgelord fellow trans stand-up artist Jason “Mr.
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