As it turns out, the jazz-soul musician’s win was entirely predictable for structural reasons—which begs the question of whether or not we’re in for another Batiste-level upset at the 2023 Grammys this Sunday.
. What explanation could there be for an album that had only made it to No. 86 on the200 winning the Grammys’ biggest prize, aside from the Recording Academy being totally out of touch?
Another Grammy voter, guitarist David Doucet, heard artistic merit in Doja Cat’s “Woman” for Record of the Year and Bad Bunny’sfor Album of the Year . Doucet took the process seriously and listened to all the nominated music, but his choice for Best New Artist was easy. He liked Wet Leg, but “picked Molly Tuttle because I know she can play,” he said.
It’s also understandable if her supporters in NARAS feel some level of attachment to her success. Carlile’s thunderous performance of “The Joke” on the Grammy telecast in 2019 was her breakout moment; it helped the song top’s Rock Digital Song Sales chart and became the biggest-selling single of Carlile’s career to date. It also won two Grammys and, most importantly, let a roomful of Grammy voters and 19.9 million people at home hear the power and drama she can muster on stage.
Batiste benefited from a similar awareness within the industry stemming from his own collaborations and his national platform as bandleader onAt a time when, as Driebe complained, “It’s impossible to keep up with all the new music” and Doucet didn’t know where to hear these songs in the wild, that kind of familiarity counts.
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