Writer-director Robert Machoian and star Clayne Crawford reteam after ‘The Killing of Two Lovers’ on another slow-burn study of a family man pushed to his limits.
, a morality tale in which the threat to the protagonist’s family this time is the direct result of his own actions.
The new film doesn’t match the tightly wound narrative complexity or power of its predecessor; nor does it escape the occasional feel of actor-y self-indulgence. But the artistic rigor of the undertaking remains striking, as does the invaluable contribution of Danish sound designer Peter Albrechtsen in sculpting the disquieting atmosphere.
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