Come for the return of the Devil and Ellen Burstyn; stay for the framing of the Catholic church as impotent.
The Exorcist: Believer—David Gordon Green’s Exorcist reboot —clears a low bar: It delivers a highly watchable entry in the franchise that was besotted with misses as it attempted to capitalize on the success of William Friedkin’s original. Simply nothing could match that movie’s howling intensity, or its use of religious anxiety, vulgarity, and loud volume to shock viewers.
She’s a hard drinker who wrote a book about her experience in the first movie, A Mother’s Explanation. Her formerly possessed daughter Regan cut her out of her life as a result of the book, we learn. Chris loves speaking in declarative monologues—large blocks of text that bespeak a lot of wisdom in this environment for someone who proclaims herself to not be an exorcist. She notes that she wasn’t present in the room for her daughter’s exorcism.
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