“I fell in love with the romance of the dress, but knew I wanted to make it my own,” Augusta Hoffman says of her Monique Lhuillier dress, which was embroidered and hand-painted by Hermione de Paula.
are brilliant and so beyond lovely to work with,” Augusta says. “As a creative myself, I understand how much work goes into production and execution, and they make it look easy. It was the opportunity of a lifetime to work with some of the most extraordinarily talented people in the world, and I think our wedding ended up being the definition of the Italian term:. Every detail was curated with style, but in a way that felt approachable, casual, and fun.
All of Jonathan’s suits, meanwhile, were custom-made and produced by Knot Standard. “On Friday evening, he paired his bespoke blazer and slacks with an old Loro Piana shirt from my late father,” Augusta says. “The dry cleaning tag applied on the inside still has my dad’s name on it. It still smells like him.”
Surrounded by olive trees and beautifully layered baskets of flowers, the couple recited their vows to one another. “This was completely out of my comfort zone and something I was extremely nervous about, but in retrospect, it was such an important opportunity of self-expression that I will never forget,” Augusta says. “It felt romantic, spirited, and vulnerable all at the same time. Because we were already married before the ceremony, the energy felt really light.
For beauty, the bride enlisted make-up artist Harold James. “Harold is intimidatingly chic, in the best way, and has such a calming energy,” she explains. “We had very little discussion about a plan for my make-up and hair. I fully trusted Harold and let him take the lead.”
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