Childhood trauma casts a long shadow in John Connors' drama, premiering at the Oldenburg Film Festival.
Commercial prospects may be hurt a bit by the film’s needlessly obscure title, whose reference to 14th-century Italian history will be lost on most viewers unless they have access to producers’ notes .
The implication is that such comparisons are needed to lend gravity to the intense and well-known pain of victims of Catholic priests. But the film’s action says exactly what it means to, no literary or historical references required.
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