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, a joint directorial effort by Andy Nyman and Jeremy Dyson, who adapted the movie from the successful stage play they wrote together back in the late 2000s, isn’t workaday horror hackery. For most of its duration, it’s confidently made, atmospheric and deliciously macabre, a movie that feels like a throwback to yesteryear’s horror without consciously acting like a throwback.
He’s haunted, too, but mostly by his memories of growing up with his rigid, borderline abusive and presently deceased father. That’s the hook on whichhangs its ghastly musings, the thing we expect the film to circle back to once Goodman completes his inquiries and renders his verdict on the authenticity of each incident.
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