'I feel the safest, the most vulnerable, and the most excited and alive in work.' - TatianaMaslany
began its final season on BBC America. Soon, there will be no more clones—no more Sarah, Alison, Cosima, Rachel, Helena, and seestras—and no more sinister conspiracies to uncover. For die-hard fans of the show—which is, really, anyone who’s watched more that one episode—it’s an equally sad and exciting prospect.
ADUBA: Huge. I love U2. I just got my wisdom teeth pulled and I look like a chipmunk, but I do not care. That’s how much I love U2. [ADUBA: I’ll be singing and it’ll be fun. I’m really excited to do this; I’ve never done anything like this before. Before we talk aboutMASLANY: That was intense. You’re from Boston right?ADUBA: For sure. It’s hard to do, but you guys are doing it and it sounds authentic. The movie itself looks really good.
MASLANY: Those moments are the greatest joy. I get to play with all of the things that we do as people where we see somebody a certain way, we judge somebody, we empathize with something in someone—all of the judgments, good and bad, that we have of people and how that makes us behave. If Sarah is playing Alison, Sarah’s judgments about Alison, the impression that she gets and the impersonation that she does.
ADUBA: It’s about the learning of the thing. That’s my experience, at least. There’s nothing to be gained other than a deeper knowledge of how to pursue the craft of it.and the specific accolades you’ve received? Has that changed your approach to work or the way you feel about it? You’re so fearless in your work and your commitment to your character is massive.
MASLANY: I was very excited to read female characters like these. I was excited even at the prospect of playing one of them; I was excited to be in the audition room and to get to play a few of the characters for an hour. I was dreaming, obviously, about getting the part, but just doing the audition was a thrill enough. Just to get to stretch and work like that in an audition space, where usually you do a scene and you’re out.
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