The co-creator discusses the Emmy-nominated pilot episode, co-written with Donald Glover, which serves as an intro to the world of the serial killer Dre (Dominique Fishback).
What were your initial thoughts about how to introduce Dre and her world?
My one goal was for us to see that her relationship with Marissa was very co-dependent, but also that there are moments that make you uncomfortable within that co-dependence and that Dre is someone who fundamentally might not understand her sense of purpose or her effect on people and the space around her. She is a fly on the wall in her own life. Not that she’s slow; there’s an innocence to her. But then the end of the pilot is a bit of a face slap.
There was so much conversation online around that sex scene. Did you have any sense when writing it that it would be such a hot-button moment? Being on set during that, it allowed me to realize, “This is a character that’s so different.” The scene is necessary because there aren’t many people that can do that. That’s a testament to her oddness. It’s a testament to something is maybe not completely grounded with this person and it makes you uncomfortable with this character and to not trust this character necessarily. Leaning into that was it.Her performance was just so weird.
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