'. . . in director Mikael Burke’s production for aboutfacechi, each seemingly incongruous piece fits together with all the contradictions fully intact.' | Dan Jakes
Thinking About the Longstanding Problems of Virtue,
In many new plays, an ethereal, collage-like approach to storytelling can often feel scattered or indulgent, but in director Mikael Burke’s production for About Face Theatre, each seemingly incongruous piece fits together with all the contradictions fully intact. Part of that, I suspect, is the production’s superb use of music and movement , which viscerally convey elements of Z’s experience more directly than words alone could.
For Z’s father Ezekiel, though, hiding has become so secondhand that he can’t seem to break out of it, even when it’s what he wants. In multiple moments, we witness Ezekiel wishing to reach out and establish a connection with his only son, but—frustratingly—he can’t quite soften himself for fear he’ll break.
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