The pop-music world, in many ways, has only gotten angstier (it would be hard to imagine a mood-poet chanteuse like Billie Eilish commanding arenas 20 years ago). But even back in the ’90s, S…
The pop-music world, in many ways, has only gotten angstier . But even back in the ’90s,was the kind of straight-up, middle-of-the-strike-zone, tasty-licks virtuoso of rock ‘n’ roll good times who seemed to have been put on earth to make people happy.
Her first big break was landing a spot as a backup singer on Michael Jackson’s 1987 tour, and she was already so self-possessed that when she was moved, in her big hair and spandex dress, to center stage to sing the nightly duet with Michael on “I Just Can’t Stop Loving You,” the tabloid press went wild, convinced that she and Jackson were having an affair.
But the damage had been done. The title “Leaving Las Vegas” had been borrowed by its composer, David Baerwald, from the novel by John O’Brien , and O’Brien had been told that he’d get to share rights to the song. He thought that Crow, on “Letterman,” was claiming the song for herself, and shortly after that he committed suicide.
Crow’s first pegs into show business are rather amusing: a McDonald’s commercial that earned her the equivalent of two years’ salary back when she was a fourth-grade teacher , and a singing appearance on the final episode of the legendary jaw-dropping musical TV detective series “Cop Rock.” But she always knew what she wanted to do.
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