The new theater season is opening like gangbusters, the way it always used to in pre-pandemic days.
Two beloved September regulars, S.F. Fringe Festival and S.F. Shakes, are back. There’s a world premiere at Custom Made Theatre, plus local premieres at PlayGround, S.F. Playhouse and New Conservatory. Brian Copeland returns with a warmly personal solo piece. And a much-anticipated circus arts show kicks off ACT’s season.
Custom Made Theatre at Phoenix Theatre, 414 Mason St., Sept. 23-Oct. 16, $35-$55, 798-CMTC , custommade.orgIf a play such as “Zac & Siah” can blend comedy and theology, then a play about abortion can be funny, which is one of the motivations behind “Breed or Bust,” local writer/actor Joyful Raven’s new solo show from PlayGround. The time is certainly right to bring the topic onstage, but this is not a political approach to the hot-button issue — it’s light and comedic. “Ms.
This non-curated festival has been the center of a flurry of theatrical activity in the Tenderloin every fall for three decades. This year: 84 performances by 15 local and six non-local companies, each performance about an hour long, all at Exit Theatre’s tiny multiplex —which is, sadly, destined to close permanently this year, a casualty of post-pandemic hard times. This is probably your last chance to fringe, San Francisco style.
New Conservatory Theatre Center, 25 Van Ness Ave., Sept. 16-Oct. 16, $25-$65, 861-8972, [email protected] Poland-born Yiddish writer Sholom Asch’s play “God of Vengeance” opened in New York in 1907, after running in Europe, all hell broke loose. The objections to it were numerous, obscenity and fomenting anti-semitism among them. The controversy persisted over time.
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