These horror music cues warned of video nasties, death’s design, and more danger to come.
From John Carpenter to Marco Beltrami, there are many known male composers that have created tension in their projects. The piano riffs of Halloween are rhythmic and ominous. It hints at the slow but persistent approach of Michael Myers, butcher knife gripped in a hand eager to slice. In Scream, as Ghostface hunts down a victim, the orchestral score booms in intensity. These are wildly different approaches with the same goal: to terrorize the audience.
Mica Levi — Under the Skin Around the same time Scarlett Johannsson was teaming up for The Avengers, she was playing a very different role compared to Black Widow. Instead of saving the world, she was causing chaos. After assimilating the body of a young woman, an alien life form travels around Scotland. Her goal is to seduce men that blindly take her up on getting a ride, before she brings them into a dark void that consumes their meat, leaving behind skin.
On Behind the Audio, Belousova explained a key ingredient on the soundtrack. “Noelle is changing, and so one word present throughout the whole score is ‘change.’ You can find it almost in every cue, you don’t always hear it, but you subconsciously feel it. Another element is breathing. We recorded short breaths, long breaths, anxious breaths, violent breaths, relaxed breaths, you name it!” The soundtrack amplifies the state of mind of Noelle's character.
Hildur Guðnadóttir — Chernobyl A great example of dread heard throughout the limited series is “Bridge of Death.” It plays on the night of the infamous explosion.Miles away, families gather outside to watch the inferno being put out. In a slow motion sequence, children play in the falling ash and their parents smile, unaware of the toxic danger. These civilians are marked, if not for immediate death, then for the agonizing long-term health effects.
From American Songwriter, Karpman got the opportunity to make something as distinct as the show’s push to focus on Black characters as the main cast. “The Ardham theme, out of all of them, is the real representation of that idea of gothic R&B, where you’ve got like a really groovy vibe that’s kind of like Twilight Zone, that’s kind of like characters-with-attitude, and that there’s a classicism to it, which I added in with the orchestra.
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