'More than a decade later, it’s clear to see how her (Santgold) genre-smashing music paved the way toward a new generation of eclectic oddballs, including Charli XCX, Grimes, Lizzo, and even Lemonade-era Beyoncé.' | nberlat
When Santigold emerged in the late 2000s, her hip alterna-pop seemed to waltz out of left field, incorporating elements of every genre she could put her hands on: punk, hip-hop, new wave, dub, and whatever else wasn’t nailed down. More than a decade later, it’s clear to see how her genre-smashing music paved the way toward a new generation of eclectic oddballs, including Charli XCX, Grimes, Lizzo, and even-era Beyoncé.
It’s smoother and more polished than some of her past work, but she’s still got an ear for a hip-shaking hook and a sharp eye for how songs are put together. “My Horror” is a lilting, cheerfully up-tempo love song to her own misery and mental distress. “I can’t feel, it’s like / I’m paralyzed” she sings, before a girl-group chorus kicks in—and then she throws in a tinkling broken-music-box section that recalls Syd Barrett’s insular, broken ditties.
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