Review: Though they differ in scale, PBS’s American premiere of 'Ridley' and its last season of 'Endeavour' continue the border-crossing tradition of quirky detectives
The game is afoot Sunday night on PBS, a contest of good vs. evil as prosecuted by brilliant, eccentric and/or tormented detectives.
There is a considerable legacy of English crime fiction on our public television, though we ought not look for much innovation in either the first season of “Ridley” or the final season of “Endeavour”: Ever since Poe wrote “The Murders in the Rue Morgue,” the sleuths have been slightly off, like major-league pitchers or fly fishermen. The question is how the oddness solves the case. Each show follows a different lead.
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