Review: Julia Roberts is among the many letdowns in Watergate drama “Gaslit”
” behind Watergate. In nearly every aspect of that attempt, it fails. With Martha as the lone exception, the characters are cardboard cutouts or cartoon villains. The series has been described as a political thriller, but it’s got so much flab and filler that it seems ideologically opposed to the very idea of suspense. Whenever Martha’s not onscreen, it’s closer to a black comedy — the men behind the plot portrayed as bumbling, delusional fools — except it’s flailingly unfunny.
influence-seeking conservative woman betrayed by her political confreres. It shears the most colorful — and the most tragic — aspects of her life and public image, from her Southern Belle drag to the bleakest moments of her marriage, giving her the vindication that evaded her during her final years but denying her the extravagance of personality she clearly cultivated as her life’s work.
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