Review: Helen Mirren shines (and smokes) in an otherwise lackluster 'Golda'

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Review: Helen Mirren shines (and smokes) in an otherwise lackluster 'Golda'
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The 'Queen' actor transforms into Israeli Prime Minister Golda Meir in Guy Nattiv's ambitious but under-realized drama about the Yom Kippur War of 1973.

. “Golda,” arriving with far less fanfare in theaters this week, has been caught up in a quieter version of the same controversy.debate won’t be revived here, much less resolved. Suffice to say that if this is artifice, then it is artifice of a very high caliber. As the sickly, septuagenarian Meir, Mirren packs fierce authority, grandmotherly warmth, touching uncertainty and wry resignation into an uncharacteristically stooped and heavily padded frame.

The movie’s account of those failures — but also the failures of Egypt and Syria, which seize but cannot maintain the upper hand — is appreciably absorbing, even if the war itself, waged on two fronts on the Sinai Peninsula and in the Golan Heights, is kept largely hidden from view. It thus falls to the swift, fluid movements of Jasper Wolf’s camera and the suspenseful thrum of Dascha Daunhauer’s score to bring this rickety war room procedural to life.

Her concern for her people could scarcely be more palpable; watch how Mirren softens Golda’s face and posture in the presence of her secretary, whose ill-fated soldier son becomes a convenient stand-in for thousands of other young men on the front lines. But her natural empathy turns out to be the flip side of her utter ruthlessness as a tactician and negotiator.

Given the deliberate narrowness of the movie’s perspective, it makes sense that Kissinger should be presented solely in terms of his significance to Israel. But if the more troubling aspects of his own legacy are left pointedly off-screen, so is a deeper, longer view of the Arab-Israeli conflict, the hard lessons of the Yom Kippur War and the anguish that Israel would both endure and inflict in the decades to follow.

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