Post Malone’s new album, 'Twelve Carat Toothache,' tries to escape the formulas undergirding his earlier works and the pressures of being the life of the party. CraigSJ writes
Photo: Post Malone/YouTube Post Malone’s first three albums were a careful juggling act. 2016’s Stoney, 2018’s Beerbongs and Bentleys, and 2019’s Hollywood’s Bleeding brought catchy melodies and a country-rock wail to production that gave the first album’s “Congratulations” and the second album’s “Psycho” legs on hip-hop radio while appealing to enough pop and rock fans to coast on Top 40 stations. This worked better than anyone could’ve imagined.
There’s a tension between this album’s overt pop moves and the songs where the artist pokes at the constraints of the music and antics he’s known for; after “Insane,” Toothache runs as far from a conventional hit as it can get, dropping the massive Weeknd collaboration “One Right Now” near the end but foregrounding ambitious folk, rock, and choral songs in lieu of easily digestible rap and pop fan service along the way.
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