“Deliver a good entertainment, and the audience will come.” That’s what the venerable director Robert Wise told me after defying Hollywood doubters with his hit musical West Side Story (yes, the 19…
By contrast, movies aimed at the grown-up quadrant seem gripped in some sort of ‘plex poison: The questions loom large: Does streaming represent the only future for “specialty” cinema? Further, if theaters must depend on exclusive openings of superhero movies, what will sustain them in the interim?Ghostbusters: AfterlifeThe Spider-Man multiverse now has spanned 19 years and eight live-action films, defining what Imax CEO Rich Gelfond calls “the ultimate power-of-the-theater experience.
” Not even he expected it to constitute 92% of that theater experience, as now prevails. seemed to relish the experience. Columnists like the solidly Republican Peggy Noonan of the’s long-term critic Joe Morgenstern called the film “exultant.”But are critics and columnists relevant anymore? Critics groups in New York and Los Angeles last week showered awards on a three-hour Japanese film titled.
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