Paul Banks and Atiba Jefferson Take Us Inside Interpol's Private World

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Paul Banks and Atiba Jefferson Take Us Inside Interpol's Private World
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For Interpol's latest album 'The Other Side of Make‐Believe,' frontman PaulBanks pulled back the curtain by letting fans peek at the band’s creative process.

, who followed the band from a cabin in the Catskills to their recording studio in London to document the making of the new album.

JEFFERSON: I didn’t know her. I knew who she was obviously, coming from working in skateboarding magazines since 1995.was always such an amazing one. But yeah, let’s get to it. Was I a distraction at all from the writing sessions and the recordings, having me in the room? The writing sessions were way more chill, but the recording is so intimate. It’s a little intense knowing you’re looking for that perfect note, that perfect moment. And here I am whittling in the corner trying to hide.

BANKS: I agree. We’re aware of the fact that there hasn’t been all that much access a lot of time, which is comfortable for us because we’re awkward, but I feel also mindful of the fact that watching any behind the scenes footage of bands that I like historically, I’m always very happy that it exists. We’re really fortunate to have had you there to document that.

BANKS: Yeah, right. [Laughs] Also things were really laid back in the Catskills because it’s that phase of writing. That’s probably my favorite part, where recording is a distant thing in the future, and you’re just enjoying playing with all the possibilities of how to write a song. Lyrics are hard, and it’s easy to write shitty ones and really hard to not write shitty ones. But all in all, I think it went really well this time around.

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