Our only real confusion about the new G9 II is that it isn't being marketed as a powerful hybrid photo/video platform.
Panasonic G9 II Hands-On: It’s Made for Photographers, But is it Really?The original Panasonic G9 was quite a revolutionary camera. Built around a modern and intimidatingly professional-looking body, the G9 featured blazing-fast burst rates, an exceptionally good EVF, and motion-compensated multi-shot mode. However, it has been seven years since the G9 launch — a long time to wait for a successor.
The camera design is almost exactly the same as the full frame S5 II. I find the handling and ergonomics easy to manipulate and straightforward to understand.At the heart of the G9 II, we have some major changes, three of which I want to focus on here.The first thing that has to be mentioned is the outfitting of all new Panasonic cameras with its latest phase-detect-based hybrid autofocus.
There were plenty of animals around to test out the animal detection autofocus. We can confirm success on a variety of species. The GH6 exhibits more noise at ISOs up to 800 than it should. Fortunately, the G9 II shows some improvement in this regard.The G9 II gives a very similar array of video recording modes to the GH6, especially for a model that is aimed at photographers. The lack of CF Express as a media option does require ProRes video at 4K or higher to be recorded to an ungainly external SSD. This isn’t that big of a detriment, though, as the H.
Shane was kind enough to let me take a portrait. The eye-detect AF and Leica profile combined to make it happen. Overall the G9 II proves to be an incredibly capable video camera with some improvements over the videocentric GH6. For a camera that is intended largely for photography, it sure does look, smell, and feel like a video tool.
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