It’s part Hatchet, part existentialism, part cannibalism.
Slate receives a commission when you purchase items using the links on this page. Thank you for your support.As you say, you’re not a historian, but when you are writing about a time period, there’s a certain amount of research that goes into it, so you become a kind of temporary expert. So the little section of the book, for example, that is about the voyage across the Atlantic—it’s so unbelievably hellish.
But I do want to talk about the urgencies of the now, and I think you can do that through historical fiction because history loops, and spirals. There are ways to, slantwise, talk about the great sources of heat and disaster happening now, through a historical lens. The past and the future are always in communication. It’s really just the job of a writer of contemporary historical fiction to find the resonance between the two eras.
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