Nicole Kidman: From To Die For to The Northman | Digital Trends

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Nicole Kidman: From To Die For to The Northman | Digital Trends
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With the release of the Apple TV+ series Roar and TheNorthman in movie theaters, it's time to take a look at the impressive career of actress NicoleKidman.

Is Nicole Kidman the bravest actress of her generation? Arguably, yes. That might sound a bit hyperbolic, considering some of her contemporaries include mighty actresses like Viola Davis, Cate Blanchett, Laura Linney, and Olivia Colman. However, there’s something about Kidman that makes her unique among the best of the best.

Therein lies the difference between Kidman and other Hollywood icons. Whereas so-called movie stars rose to prominence thanks to their many box office hits, Nicole Kidman became a legend despite her lack of blockbusters. Sure, Batman Forever made her a household name, but To Die For made her an actress worthy of in-depth consideration. Moulin Rouge! made her a leading lady, while Eyes Wide Shut turned her into a screen icon who could sell the most difficult material with a sly smile.

Kidman possesses a malleability that many would kill to have. She’s as comfortable in the wilderness of The Northman as she is in the fantastical world of The Golden Compass. Kidman can play a suburban mother grieving over her son’s death in Rabbit Hole as easily as she can bring to life a determined 1930s English aristocrat in Baz Luhrmann’s underrated epic drama Australia. Kidman understands this, using it to her advantage to jump from time to time, never content with only one lane.

Finding a new home for her hunger, Kidman crafted a niche for herself, becoming the queen of the miniseries. Shows like Top of the Lake: China Girl, The Undoing, Nine Perfect Strangers, and the recent Apple TV+ anthology series Roar confirm her as a force to be reckoned with, one of the loudest voices in a room roaring with activity. The current television climate is highly competitive, with Netflix and HBO leading the charge in quality and quantity.

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