Director Nia DaCosta is the first Black woman to helm a Marvel movie.
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“Growth has to stop at some point,” says DaCosta. “As you make more and more films, you want those films to be more interesting, more dynamic and to appeal to different audiences. But that requires risk. And there’s a conundrum where you’re so big that you can’t take risks. I think that’s what the audience is feeling. They’re like: ‘I’ve seen it before, and I liked it the first time.’”
“Day to day, I don’t really think about it. But it is nice to finally have a Black woman directing one — it just happens to be me,” DaCosta says, laughing. “What was cool about realizing that, I was sort of like: Wow, I’m the first Black woman. But I’m also the third woman and the fourth or fifth person of color. It was cool to see that I wasn’t just stepping into an all-white, all-male world.”
DaCosta was drawn to what she calls “a really crazy, sci-fi space opera” that was wacky and tonally different from most MCU films.The heart of the film for DaCosta is about the dichotomy of Danvers and Ms. Marvel. While Danvers has been tirelessly doing the solitary work of Captain Marvel out in deep space, Ms. Marvel’s foundation is her family.“I mean, this my third film in six years and I’m onto my fourth,” she says.
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