How LittleWomen and PortraitOfALadyOnFire capture artistic gender bias onscreen
. Together, the two period dramas remind us, rather movingly, that biases against women artists and artworks coded as feminine are deeply ingrained in our culture, and that it's not just individual writers, painters and filmmakers who suffer when we confine our conceptions of greatness to masculine subjects but audiences and art itself, too.
Clearly, that project of expansion has far to go. This awards season brought reports of male Academy voters and audiences at large refusing to watch a supposedly girlie movie like— a common prejudice that may have contributed to Gerwig's absence from the director nominees. Unsurprisingly, it's such viewers who most need to hear the film's critiques of what kind of art gets to be made and championed — and what doesn't.
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