Lee Ann Womack on recording her new album in Brooklyn, and the state of women in country: “You just don’t see women being supported”
’ “You’re Still on My Mind” on YouTube. Jones is a perennial touchstone for Womack; she’s covered that song, and she recorded her last record with Liddell in Houston, at SugarHill Studios, formerly Gold Star Studios, where Jones recorded countless classics in the 1950s.
It’ll be a lot like that. When I made the last record I was trying to knock the sheen off, which with some of my earlier stuff wasn’t so easy to do. I wanted it to be more like the music I grew up with. I’m just trying to make something that feels good to me, and then we’ll just see who else it appeals to! [We’ll do some overdubs and vocals in different places. I’m going straight from here to L.A., where my daughter [singer-songwriterYep.
]” The problem is, if you have a passion for this, a desire to do this, and then you don’t, it doesn’t matter how successful you are at something else. It really matters that you pursue what you want to do, what you feel called to do. I do realize that they grew up in a musical home, a musichome, so in some ways they couldn’t get away from it. But they’ve known that they can do whatever they want.
Right — one job at a time. What are your thoughts on the fight for equal representation on country radio and in festival bookings? Does it seem like things are changing from where you sit?
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