As much as Janelle Monáe has been a natural, full-body entertainer and a red-carpet head-turner, it has sometimes seemed since her two 2016 big-screen debuts in “Hidden Figures” and “Moonlight” that Hollywood hasn’t known quite how to fully harness the wide-ranging talents of such a self-propelled, mold-breaking Black female artist.
and “Moonlight” that Hollywood hasn’t known quite how to fully harness the wide-ranging talents of such a self-propelled, mold-breaking Black female artist.which debuts Friday on Netflix, Monáe may have found a film to suit her proclivity for shape shifting. In Johnson’s puzzle box of a movie, Monáe’s character is the most mysterious and enigmatic of a colorful ensemble. If “Knives Out”“It’s been an incredibly transformative experience for me as an actor,” Monáe says.
The less said about exactly how Monáe fits into “Glass Onion,” the better. In Johnson’s film, which had, Edward Norton plays a tech billionaire, Miles Bron, who invites friends to his private Greek island. Detective Benoit Blanc is on hand for a murder mystery that spins out of control and a plot that, in dredging up Bron’s past, skewers a social media mogul not so unlike some of today's real-world tech tycoons.
“I got an opportunity to honor those women who are the minority in the majority in those spaces, who have their ideas taken from them, who are not given credit for their work, who have to deal with these alligators, deal with these tech bros, deal with these geniuses who in fact haven’t done anything except for cause confusion,” says Monáe.
Monáe is something of a futurist, herself. Earlier this year she published a collection of sci-fi stories titled
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