Jane Birkin Remembered: How Serge Gainsbourg’s Muse Eventually Took Control of Her Own Image

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Jane Birkin Remembered: How Serge Gainsbourg’s Muse Eventually Took Control of Her Own Image
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With Jane Birkin’s passing, France loses both an icon and one of its greatest enigmas. To focus on France is not to diminish the fact that Birkin’s death will be mourned around the world. Alongside…

’s passing, France loses both an icon and one of its greatest enigmas. To focus on France is not to diminish the fact that Birkin’s death will be mourned around the world. Alongside Brigitte Bardot, Françoise Hardy and Catherine Deneuve, Birkin was one of the last surviving 1960s femmes who sparked global interest in French culture.

That paradox was key to her appeal. Was Birkin a doll molded by the men in her life, or was she an artist with an instinctive talent? Both were true. Birkin’s own journals, collected and published as “The Munkey Diaries,” reveal far less than fans demanded. Gainsbourg may have encouraged Birkin to make herself ubiquitous , but she gradually took control of her own image.

Previous performances had involved pantomiming to pre-recorded audio; Birkin had something to prove. Back in the ’60s and ’70s, she had embodied a new kind of sex symbol: an ambassador of Swinging London in France. Where Bardot was voluptuous, Birkin was tomboyish: the “” described in “Melody Nelson.” Tall and slender, with bony hips and flat breasts, Birkin did not consider herself attractive .

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