Despite a transformative performance by de Armas, director Andrew Dominik can't decide whether he wants to indict or indulge us for our curiosity about Monroe
Appliance upgrades for ever corner of your home—from high-tech vacuums to smart washer/dryers.It’s not uncommon for women to feel obligated to put a better public face on their behavior than they do in private, but for Norma Jeane, Monroe was that face—tender, unimposing, cheerfully accepting of the indignities to which she is subjected.
Ultimately, Dominik assembles a film in which there’s much to admire, but not quite enough that works to bring Marilyn Monroe, much less lost, little Norma Jeane, fully into focus. Like, say, David Lynch’s, Dominik clearly hoped to show the world what his tragic heroine endured before her demise—the person who suffered before her polished visage became immortal.
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