Sydney Sweeney in Immaculate
t. Bartholomew was flayed alive. St. Lawrence? Grilled to a crisp. St. Lucy and St. Agatha are often depicted carrying the symbols of their martyrdom around on small dinner plates, a pair of poked-out eyeballs in Lucy’s case, a set of severed breasts in Agatha’s. Theis gruesome enough to fill a thousand horror movies. A picture in which a demure-but-hot young nun is lured to a spooky-opulent Italian convent for nefarious purposes isn’t such a stretch.
When Cecilia finally arrives at the convent, a sepia-toned, art-filled treasure deep in the Italian countryside, the priest in charge, Father Tedeschi , greets her warmly, promising to translate anything she doesn’t understand; he’s patronizing her in plain sight, but she’s grateful for it.
Hardly. We’ve already learned from the movie’s prologue—a brief sequence in which a panicky young nun attempts to flee that convent in the dark of night, only to be mowed down by a fleet of angry nuns in flapping robes—that evil lurks in this supposedly sacred sanctuary.
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