“I’m Freer Now”: A Conversation With Paul Schrader

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“I’m Freer Now”: A Conversation With Paul Schrader
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Paul Schrader says it's helpful to create a persona as a director in order to attract attention—and, crucially, funding: “It takes money to make movies. There are no Emily Dickinsons in the movies.”

Well, now the zeitgeist is so fractured. It’s harder to find. The target has no center. I used to refer to movies by referring to a grand hotel, meaning that everyone met in the theater. They came out of their rooms, they met in the lobby, and they talked, and then they went back to their rooms. Now they don’t come out of their rooms. There’s nobody in the lobby. There’s nobody in the theater. They’re all talking to each other electronically from their rooms.

Right! After he’s just done this whole monologue about the nature of the garden, and how we arrange things and put them in order. And there’s this quote from Penelope Lively. And there’s this song, “Space and Time,” in that scene where they dance, that I had come across. And I posted about it on Facebook and sure enough, S.G. Goodman, who did the song, wrote back to me and I got to meet her. She’s from Eastern Kentucky.

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