The writer-director talks the high stakes of the finale, the emotions that flowed on set, and his dreams of continuing the story with a new series.
During the heartstring-tugging climax, the Enterprise literally swoops in above Picard and Jack to save the day, and it was during post-production on the making of this cinematic moment where all the creative intentions and goals Matalas had hoped to achieve for season three coalesced into one frame.
“The studio was all for it,” Matalas explains, “but it just came down to time and money. They were like: ‘You have to find a way to pay for it.’ But it was one of the first ideas I had; it was part of my initial pitch to Patrick. The appearance of the ship was part of the pitch to LeVar and to the rest of the cast, in that during the last two hours we would be on the Enterprise-D. So right from the moment that the season started, we were figuring out how to build that in time for the finale.
Helping production designer Dave Blass and his crew ensure that the set would be completed on time werebridge’s blueprints to physically re-create the set. Once it was completed, there was very little time for anyone – including lifelong“The schedule didn’t allow a lot of time for all that, unfortunately. There was so much to do – we only had two days to shoot on it, for both the last two episodes. I know it was amazing for the cast to see it for the first time.
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