As the two biggest pop culture franchises of the decade unveiled their highly anticipated conclusions, they exposed the joys and hazards of fan service and grand spectacle. Warning: SPOILERS.
of isolationism through the prism of the African diaspora, a topic no other Hollywood studio had ever considered giving blockbuster treatment.
But none of these films burrowed deep enough into those subjects to make their audiences feel any lasting anxiety or anger or even discomfort. Whendid confront the questionable narrative premise of the entire franchise — entrusting a tiny band of outrageously powerful people to be the arbiters of who’s good and evil, collateral damage be damned — the eventual result was that tiny band deciding,If the audience is meant to question that conviction, the films have never let on.
Benioff and Weiss did occasionally make significant deviations from Martin’s books to great effect, like having Brienne fight the Hound over protecting Arya, or bringing Tyrion and Daenerys together in Meereen. But they also leaned heedlessly into the cruel sexual violence of Martin’s literary world.
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