The German native just received his 12th Academy Award nomination.
‘s score would differ from his previous work in the sense that he never wanted the film to have a “romantic, European orchestral score” or a particularly masculine sound.
Zimmer explains that the character of Lady Jessica was a big reason this score required many different tones and colors for each character, as opposed to just sticking to one theme for a character as he usually does when he composes. “I thought it’d be much more interesting to give different tone colors, different orchestration ideas to different situations,” he says. “If you think of Lady Jessica, she’s a mother, so there’s that [maternal] sound. But she is the concubine of Paul’s father.
Zimmer says his career, in which he is revered as one of the film industry’s greatest and most well-known living composers, has made for an “interesting life.” His résumé is impressive and ever-growing, but he says he doesn’t have one proudest moment of his career. In fact, there have been several., where I was truthful and honest — I was writing about the death of my father,” explains Zimmer.
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