Miriam Lucia is one of the industry’s busiest intimacy coordinators. Recent credits include HBO shows House Of The Dragon, The White Lotus season 2 and The Nevers, and movies Catherine Called Birdy…
had a negative reputation – which they’ll admit — in terms of the press and the #MeToo movement, and with Emilia Clarke and other actors talking about how difficult and gratuitous it could be at times, and how much pressure they felt.is not only a production team that are sensitive to that, but you get a cast that is very aware of it and careful about what they will agree to. That precedent had been set.
Sometimes, you have directors who are very clear on that, and they have a very defined idea of how they want the shot to be, and they’re extremely good at communicating to the actor, as Miguel was. ‘We’re going to have X number of setups on this, there’s a closeup here, and then this happens, and then there’s a wide’. That helps actors. It helps me as well, in terms of knowing how we’re going to choreograph the scene and what is potentially going to be in shot.
People don’t really know what it is that we do. Some question why we’re there. It can still be weird for people who wonder if I’m checking up on whether they’re adhering to the rules of a closed set. But often my work has been done beforehand behind the scenes, talking to the director, the producer, the actors, even lawyers if necessary, in terms of waivers and things that need to happen.
It’s tricky. Sometimes, you have to know when to just leave it alone, too, and not over-protect, or keep checking in with the actor, or keep reporting things back to the producer. You’ve got to be efficient.Yes. The word is trust. The director has to trust me, the actors have to trust me, the actors have to trust each other, and they have to trust the director.
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